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 Degas, Edgar Biography(1834-1917)
 Was born in Paris of a wealthy family. Degas studied at the Ecole des 
Beaux-Arts under a pupil of Ingres, whom he knew and greatly admired. Degas’s 
early works - family portraits and some history pictures ­suggest that he 
was to develop into an academic painter in the Ingres tradition. By the late 
1860s, however, Degas had begun to develop a deceptively casual composition, 
probably influenced by Manet and possibly also by Whistler, and certainly by 
snapshot photography. Degas knew Manet well, as he did Bazille, Berthe Morisot 
and Tissot, and was a frequent member of the circle which gathered round Manet, 
where he also met Fantin-Latour, Renoir, Cezanne, Monet, Sisley and Pissarro. 
During the Franco-Prussian War he remained in Paris and in 1872-3 he visited 
relations in New Orleans. There Degas painted only a few pictures, but these - 
and those executed after his return to Paris - show him using unusual viewpoints 
and purely contemporary subject matter, e.g. the Cotton Exchange in New Orleans. 
He ceased exhibiting at the Salon in 1870, and in 1874 Degas took part in the 
first Impressionist Exhibition, as he did in six of the subsequent seven. His 
works could only be seen in public at these group exhibitions, always received 
with hostility and ridicule. Degas’s first pictures of dancers were painted about 1873, and from then on 
ballet girls, laundresses, models dressing and bathing, and cabaret singers 
became his principal subjects. He recorded the manners and movements of a 
society which he observed almost as if it were another world, treating the 
figures as the material of his investigations into light, color and form, as 
much as the paint he used.
 Degas’s famous oil paintings include: 
	At the Race CourseThe Dance Foyer at the OperaThe Dancing ClassL'AbsintheThe Millernery ShopA Carriage at the RacesThe Cotton Market, New OrleansJockeys |