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Giovanni Canaletto Campo San Rocco oil painting reproduction
Giovanni Canaletto Campo San Rocco oil painting reproduction

Giovanni Canaletto Campo Sant' Angelo oil painting reproduction
Giovanni Canaletto Campo Sant' Angelo oil painting reproduction

Giovanni Canaletto Campo Santa Maria Formosa oil painting reproduction
Giovanni Canaletto Campo Santa Maria Formosa oil painting reproduction

Giovanni Canaletto Canaletto oil painting reproduction
Giovanni Canaletto Canaletto oil painting reproduction

Giovanni Canaletto Capriccio of a Renaissance Triumphal Arch seen from the Portico of a Palace oil painting reproduction
Giovanni Canaletto Capriccio of a Renaissance Triumphal Arch seen from the Portico of a Palace oil painting reproduction

Giovanni Canaletto Capriccio of a Round Church with an Elaborate Gothic Portico in a Piazza, a Palladian Piazza and a Gothic Church Beyond oil painting reproduction
Giovanni Canaletto Capriccio of a Round Church with an Elaborate Gothic Portico in a Piazza, a Palladian Piazza and a Gothic Church Beyond oil painting reproduction

Giovanni Canaletto Capriccio of the Grand Canal With an Imaginary Rialto Bridge and Other Buildings oil painting reproduction
Giovanni Canaletto Capriccio of the Grand Canal With an Imaginary Rialto Bridge and Other Buildings oil painting reproduction

Giovanni Canaletto Capriccio The Rialto Bridge and The Church of S Giorgio Maggiore oil painting reproduction
Giovanni Canaletto Capriccio The Rialto Bridge and The Church of S Giorgio Maggiore oil painting reproduction

Giovanni Canaletto Caprice View of the Molo and the Doge's Palace oil painting reproduction
Giovanni Canaletto Caprice View of the Molo and the Doge's Palace oil painting reproduction

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Giovanni Canaletto

(1667-1768)

He an important member of the 18th-century Venetian school. Canaletto's name was inscribed for the first time in the register of the Venetian artists' guild in 1720, which suggests a date for the beginning of his career as pittor di vedute, or view painter. He adopted the diminutive Canaletto (the little Canal) by the mid-1720s, presumably to distinguish his work from his father who was also an artist.
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