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Eugene Boudin Trouville, View of Port`s Landing Stage, 1872 oil painting reproduction
Eugene Boudin Trouville, View of Port`s Landing Stage, 1872 oil painting reproduction

Eugene Boudin Trouville The jetty and the basin 1896 oil painting reproduction
Eugene Boudin Trouville The jetty and the basin 1896 oil painting reproduction

Eugene Boudin Trouville The Jettys high tide 1897 oil painting reproduction
Eugene Boudin Trouville The Jettys high tide 1897 oil painting reproduction

Eugene Boudin Trouvillle, Entrance of the Port, 1880-85 oil painting reproduction
Eugene Boudin Trouvillle, Entrance of the Port, 1880-85 oil painting reproduction

Eugene Boudin Trouvillle, The Port, 1880-85 oil painting reproduction
Eugene Boudin Trouvillle, The Port, 1880-85 oil painting reproduction

Eugene Boudin Venice, The Grand Canal, 1895 oil painting reproduction
Eugene Boudin Venice, The Grand Canal, 1895 oil painting reproduction

Eugene Boudin Venice, The Grand Canal, Steamboats and Gondolas, 1895 oil painting reproduction
Eugene Boudin Venice, The Grand Canal, Steamboats and Gondolas, 1895 oil painting reproduction

Eugene Boudin Venice, The Mole and Grand Canal in the Morning, 1895 oil painting reproduction
Eugene Boudin Venice, The Mole and Grand Canal in the Morning, 1895 oil painting reproduction

Eugene Boudin View of The Port of Antibes, Morning, 1893 oil painting reproduction
Eugene Boudin View of The Port of Antibes, Morning, 1893 oil painting reproduction

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Eugene Boudin

(1824-1898)

Boudin was born in Honfleur, the son of a ship's captain. The centre of his early working life was Le Havre where he opened a framing shop, visited by painters, including Jean-Francois Millet, who encouraged him to take up painting. Boudin visited Paris, where he studied at the Louvre. Like Corot, Boudin was largely self-taught and he followed Corot's example in his preference for working directly from nature. The majority of his paintings are small landscapes of the harbours and beaches of the coast of northern France, informed by a sharp eye for social detail. His many beach scenes directly link the carefully observed naturalism of the early 19th century and the brilliant light and fluid brushwork of late 19th-century Impressionism. In about 1856 Boudin met Claude-Oscar Monet and introduced him to outdoor painting. The two worked together in the later 1860s.
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