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John Everett Millais The Ransom, 1862 oil painting reproduction
John Everett Millais The Ransom, 1862 oil painting reproduction

John Everett Millais The Rescue, 1855 oil painting reproduction
John Everett Millais The Rescue, 1855 oil painting reproduction

John Everett Millais The Crown of Love-1875 oil painting reproduction
John Everett Millais The Crown of Love-1875 oil painting reproduction

John Everett Millais Trust Me, 1862 oil painting reproduction
John Everett Millais Trust Me, 1862 oil painting reproduction

John Everett Millais Waiting, 1854 oil painting reproduction
John Everett Millais Waiting, 1854 oil painting reproduction

John Everett Millais Waking, 1867 oil painting reproduction
John Everett Millais Waking, 1867 oil painting reproduction

John Everett Millais A Dream of the Past - Sir Isumbras at the Ford, 1857 oil painting reproduction
John Everett Millais A Dream of the Past - Sir Isumbras at the Ford, 1857 oil painting reproduction

John Everett Millais A Flood, 1870 oil painting reproduction
John Everett Millais A Flood, 1870 oil painting reproduction

John Everett Millais Afternoon Tea, 1889 oil painting reproduction
John Everett Millais Afternoon Tea, 1889 oil painting reproduction

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John Everett Millais

(1829-1896)

Victorian Pre-Raphaelite artist John Everett Millais was an English painter, born in Southampton, and educated in art at the Royal Academy of Arts in London. At the age of 17 he exhibited at the academy his Pizarro Seizing the Inca of Peru (1846, Victoria and Albert Museum, London), then considered one of the best history paintings shown that year. In 1848 he and two other English painters, Dante Gabriel Rossetti and William Holman Hunt, formed a brotherhood of artists known as the Pre-Raphaelites. John Everett Millais's first Pre-Raphaelite oil painting, the scene Lorenzo and Isabella (1849, Walker Art Gallery, Liverpool), recalls the manner of the early Flemish and Italian masters. Beginning in the early 1870s, Millais created many portraits of British personalities, famous in his time. He was a careful artist who paid strict attention to detail, unusual composition, and clarity. In much of his later work he succumbed to the Victorian taste for sentiment and anecdotal art.
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