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Gustave Caillebotte The Garden at Trouville, 1882 oil painting reproduction
Gustave Caillebotte The Garden at Trouville, 1882 oil painting reproduction

Gustave Caillebotte The Gardener - 1877 oil painting reproduction
Gustave Caillebotte The Gardener - 1877 oil painting reproduction

Gustave Caillebotte The Gardeners - 1875  oil painting reproduction
Gustave Caillebotte The Gardeners - 1875 oil painting reproduction

Gustave Caillebotte The Gennevilliers Plain, Seen from the Slopes of Argenteuil - 1888  oil painting reproduction
Gustave Caillebotte The Gennevilliers Plain, Seen from the Slopes of Argenteuil - 1888 oil painting reproduction

Gustave Caillebotte The House Painters - 1877  oil painting reproduction
Gustave Caillebotte The House Painters - 1877 oil painting reproduction

Gustave Caillebotte The Kitchen Garden, Yerres - 1877  oil painting reproduction
Gustave Caillebotte The Kitchen Garden, Yerres - 1877 oil painting reproduction

Gustave Caillebotte The Lawn near the Bridge of Argenteuil - 1882 - 1886 oil painting reproduction
Gustave Caillebotte The Lawn near the Bridge of Argenteuil - 1882 - 1886 oil painting reproduction

Gustave Caillebotte The Oarsmen - 1877 oil painting reproduction
Gustave Caillebotte The Oarsmen - 1877 oil painting reproduction

Gustave Caillebotte The Parc Monceau - 1878 oil painting reproduction
Gustave Caillebotte The Parc Monceau - 1878 oil painting reproduction

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Gustave Caillebotte

(1848-1894)

Gustave Caillebotte was a French painter and a generous patron of the Impressionists, whose own art works, until recently, were neglected. He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Gustave Caillebotte's most intriguing oil paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Gustave Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.
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