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Gustave Caillebotte Yerres, Close of the Abbesses - 1871 oil painting reproduction
Gustave Caillebotte Yerres, Close of the Abbesses - 1871 oil painting reproduction

Gustave Caillebotte Yerres, on the Pond, Water Lilies - 1871 oil painting reproduction
Gustave Caillebotte Yerres, on the Pond, Water Lilies - 1871 oil painting reproduction

Gustave Caillebotte Yerres, Path Through the Woods in the Park - 1871 oil painting reproduction
Gustave Caillebotte Yerres, Path Through the Woods in the Park - 1871 oil painting reproduction

Gustave Caillebotte Yerres, Reddish Bay Horse in the Stable - 1871 oil painting reproduction
Gustave Caillebotte Yerres, Reddish Bay Horse in the Stable - 1871 oil painting reproduction

Gustave Caillebotte Yerres, the Aviary in the Ornamental Farm oil painting reproduction
Gustave Caillebotte Yerres, the Aviary in the Ornamental Farm oil painting reproduction

Gustave Caillebotte Yerres, the Lawn in the Park, Seen from a Path oil painting reproduction
Gustave Caillebotte Yerres, the Lawn in the Park, Seen from a Path oil painting reproduction

Gustave Caillebotte Yerres, Woods at la Grange, Path of the Great Ha-Ha - 1874 oil painting reproduction
Gustave Caillebotte Yerres, Woods at la Grange, Path of the Great Ha-Ha - 1874 oil painting reproduction

Gustave Caillebotte Young Man Playing the Piano - 1876  oil painting reproduction
Gustave Caillebotte Young Man Playing the Piano - 1876 oil painting reproduction

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Gustave Caillebotte

(1848-1894)

Gustave Caillebotte was a French painter and a generous patron of the Impressionists, whose own art works, until recently, were neglected. He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Gustave Caillebotte's most intriguing oil paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Gustave Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.
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