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Gustave Caillebotte The Park at Yerres - 1877 oil painting reproduction
Gustave Caillebotte The Park at Yerres - 1877 oil painting reproduction

Gustave Caillebotte The Piano Lesson - 1881 oil painting reproduction
Gustave Caillebotte The Piano Lesson - 1881 oil painting reproduction

Gustave Caillebotte The Sea at Villerville - 1882  oil painting reproduction
Gustave Caillebotte The Sea at Villerville - 1882 oil painting reproduction

Gustave Caillebotte The Street of Mont-Cenis, Montmartre1880  oil painting reproduction
Gustave Caillebotte The Street of Mont-Cenis, Montmartre1880 oil painting reproduction

Gustave Caillebotte The Yerres, Rain - 1875  oil painting reproduction
Gustave Caillebotte The Yerres, Rain - 1875 oil painting reproduction

Gustave Caillebotte Two Hanging Pheasants - 1882  oil painting reproduction
Gustave Caillebotte Two Hanging Pheasants - 1882 oil painting reproduction

Gustave Caillebotte Vase of Gladiolas - 1887  oil painting reproduction
Gustave Caillebotte Vase of Gladiolas - 1887 oil painting reproduction

Gustave Caillebotte Vers Le Chien Paul - 1885 oil painting reproduction
Gustave Caillebotte Vers Le Chien Paul - 1885 oil painting reproduction

Gustave Caillebotte White and Yellow Chrysanthemums, Garden at Petit Gennevilliers - 1893  oil painting reproduction
Gustave Caillebotte White and Yellow Chrysanthemums, Garden at Petit Gennevilliers - 1893 oil painting reproduction

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Gustave Caillebotte

(1848-1894)

Gustave Caillebotte was a French painter and a generous patron of the Impressionists, whose own art works, until recently, were neglected. He was an engineer by profession, but also attended the Ecole des Beaux-Arts in Paris. He met Degas, Monet, and Renoir in 1874 and helped organize the first impressionist exhibition in Paris that same year. He participated in later shows and painted some 500 works in a more realistic style than that of his friends. Gustave Caillebotte's most intriguing oil paintings are those of the broad, new Parisian boulevards. The boulevards were painted from high vantage points and were populated with elegantly clad figures strolling with the expressionless intensity of somnambulists, as in Boulevard Vu d'en Haut (1880; private collection, Paris). Gustave Caillebotte's superb collection of impressionist paintings was left to the French government on his death. With considerable reluctance the government accepted part of the collection.
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