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Berthe Morisot Paule Gobillard Painting - 1886  oil painting reproduction
Berthe Morisot Paule Gobillard Painting - 1886 oil painting reproduction

Berthe Morisot Playing in the Sand - 1882  oil painting reproduction
Berthe Morisot Playing in the Sand - 1882 oil painting reproduction

Berthe Morisot Portrait of a Young Girl - 1870-1880  oil painting reproduction
Berthe Morisot Portrait of a Young Girl - 1870-1880 oil painting reproduction

Berthe Morisot Portrait of Children - 1893  oil painting reproduction
Berthe Morisot Portrait of Children - 1893 oil painting reproduction

Berthe Morisot Portrait of Edma - 1870  oil painting reproduction
Berthe Morisot Portrait of Edma - 1870 oil painting reproduction

Berthe Morisot Portrait of Jeanne Pontillon - 1894  oil painting reproduction
Berthe Morisot Portrait of Jeanne Pontillon - 1894 oil painting reproduction

Berthe Morisot Portrait of Madame Hubbard - 1874  oil painting reproduction
Berthe Morisot Portrait of Madame Hubbard - 1874 oil painting reproduction

Berthe Morisot Portrait of Madame Pontillon - 1871  oil painting reproduction
Berthe Morisot Portrait of Madame Pontillon - 1871 oil painting reproduction

Berthe Morisot Portrait of Marguerite Carre- 1873  oil painting reproduction
Berthe Morisot Portrait of Marguerite Carre- 1873 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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