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Berthe Morisot Day of summer oil painting reproduction
Berthe Morisot Day of summer oil painting reproduction

Berthe Morisot La Nourrice Angele allaitant Julie Manet oil painting reproduction
Berthe Morisot La Nourrice Angele allaitant Julie Manet oil painting reproduction

Berthe Morisot La salle a manger oil painting reproduction
Berthe Morisot La salle a manger oil painting reproduction

Berthe Morisot Little boy in gray oil painting reproduction
Berthe Morisot Little boy in gray oil painting reproduction

Berthe Morisot Young woman giving her shoe oil painting reproduction
Berthe Morisot Young woman giving her shoe oil painting reproduction

Berthe Morisot Young woman with her toilet oil painting reproduction
Berthe Morisot Young woman with her toilet oil painting reproduction

Berthe Morisot Eugene Manet and his daughter with Bougival oil painting reproduction
Berthe Morisot Eugene Manet and his daughter with Bougival oil painting reproduction

Berthe Morisot Eugene Manet and his daughter with the Garden oil painting reproduction
Berthe Morisot Eugene Manet and his daughter with the Garden oil painting reproduction

Berthe Morisot The Fable oil painting reproduction
Berthe Morisot The Fable oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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