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Berthe Morisot Portrait of Paule Gobillard - 1884  oil painting reproduction
Berthe Morisot Portrait of Paule Gobillard - 1884 oil painting reproduction

Berthe Morisot Portrait of the Artist's Daughter, Julie Manet, at Gorey - 1886  oil painting reproduction
Berthe Morisot Portrait of the Artist's Daughter, Julie Manet, at Gorey - 1886 oil painting reproduction

Berthe Morisot Psyche - 1876  oil painting reproduction
Berthe Morisot Psyche - 1876 oil painting reproduction

Berthe Morisot Reading - 1888  oil painting reproduction
Berthe Morisot Reading - 1888 oil painting reproduction

Berthe Morisot Reading with Green Umbrella - 1873  oil painting reproduction
Berthe Morisot Reading with Green Umbrella - 1873 oil painting reproduction

Berthe Morisot Rosbras (Finistere) - 1867 oil painting reproduction
Berthe Morisot Rosbras (Finistere) - 1867 oil painting reproduction

Berthe Morisot Rose Tremire - 1884  oil painting reproduction
Berthe Morisot Rose Tremire - 1884 oil painting reproduction

Berthe Morisot Roses - 1894 oil painting reproduction
Berthe Morisot Roses - 1894 oil painting reproduction

Berthe Morisot Self Portrait oil painting reproduction
Berthe Morisot Self Portrait oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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