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Berthe Morisot The Hairdresser - 1894  oil painting reproduction
Berthe Morisot The Hairdresser - 1894 oil painting reproduction

Berthe Morisot The Harbor at Lorient - 1869  oil painting reproduction
Berthe Morisot The Harbor at Lorient - 1869 oil painting reproduction

Berthe Morisot The Lesson in the Garden - 1886  oil painting reproduction
Berthe Morisot The Lesson in the Garden - 1886 oil painting reproduction

Berthe Morisot The Little Girl from Nice, Celestine - 1889  oil painting reproduction
Berthe Morisot The Little Girl from Nice, Celestine - 1889 oil painting reproduction

Berthe Morisot The Little Maid Servant - 1886  oil painting reproduction
Berthe Morisot The Little Maid Servant - 1886 oil painting reproduction

Berthe Morisot The Little Windmill at Gennevilliers - 1875  oil painting reproduction
Berthe Morisot The Little Windmill at Gennevilliers - 1875 oil painting reproduction

Berthe Morisot The Mandolin - 1889  oil painting reproduction
Berthe Morisot The Mandolin - 1889 oil painting reproduction

Berthe Morisot The Pink Dress - 1870  oil painting reproduction
Berthe Morisot The Pink Dress - 1870 oil painting reproduction

Berthe Morisot The Port of Nice - 1882  oil painting reproduction
Berthe Morisot The Port of Nice - 1882 oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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