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Odilon Redon Landscape with Eve, 1800 oil painting reproduction
Odilon Redon Landscape with Eve, 1800 oil painting reproduction

Odilon Redon Lane of Trees oil painting reproduction
Odilon Redon Lane of Trees oil painting reproduction

Odilon Redon Large Bouquet in a Japanese Vase, 1916 oil painting reproduction
Odilon Redon Large Bouquet in a Japanese Vase, 1916 oil painting reproduction

Odilon Redon Large Bouquet on a Black Background, 1910 oil painting reproduction
Odilon Redon Large Bouquet on a Black Background, 1910 oil painting reproduction

Odilon Redon Large Green Vase with Mixed Flowers, 1910-12 oil painting reproduction
Odilon Redon Large Green Vase with Mixed Flowers, 1910-12 oil painting reproduction

Odilon Redon Melancholy, 1876 oil painting reproduction
Odilon Redon Melancholy, 1876 oil painting reproduction

Odilon Redon Mimosas, Anemonies and Lilac in a Blue Vase, 1913-16 oil painting reproduction
Odilon Redon Mimosas, Anemonies and Lilac in a Blue Vase, 1913-16 oil painting reproduction

Odilon Redon Mysteries of the Sea, 1908-10 oil painting reproduction
Odilon Redon Mysteries of the Sea, 1908-10 oil painting reproduction

Odilon Redon Mysterious Boat, 1897 oil painting reproduction
Odilon Redon Mysterious Boat, 1897 oil painting reproduction

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Odilon Redon

(1840-1916)

Odilon Redon was a French painter and graphic artist, one of the outstanding figures of Symbolism. Redon had a retiring life, first in his native Bordeaux, then from 1870 in Paris, and until he was in his fifties he worked almost exclusively in black and white, in charcoal drawings and lithographs. In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Odilon Redon remained virtually unknown to the public until the publication of J.K. Huysmans's celebrated novel A Rebours in 1884; the book's hero, a disenchanted aristocrat who lives in a private world of perverse delights, collects Redon's drawings, and with his mention in this classic expression of decadence, Redon too became associated with the movement.
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