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Odilon Redon Centaur and Dragon, 1908 oil painting reproduction
Odilon Redon Centaur and Dragon, 1908 oil painting reproduction

Odilon Redon Centaur, 1895-1800 oil painting reproduction
Odilon Redon Centaur, 1895-1800 oil painting reproduction

Odilon Redon Centaur, 1900-10 oil painting reproduction
Odilon Redon Centaur, 1900-10 oil painting reproduction

Odilon Redon Christ and Bush, 1900-02 oil painting reproduction
Odilon Redon Christ and Bush, 1900-02 oil painting reproduction

Odilon Redon Christ and Samaritan Woman oil painting reproduction
Odilon Redon Christ and Samaritan Woman oil painting reproduction

Odilon Redon Christ in Silence, 1895-99 oil painting reproduction
Odilon Redon Christ in Silence, 1895-99 oil painting reproduction

Odilon Redon Christ on Cross, 1910 oil painting reproduction
Odilon Redon Christ on Cross, 1910 oil painting reproduction

Odilon Redon Christ on the Cross, 1895-1800 oil painting reproduction
Odilon Redon Christ on the Cross, 1895-1800 oil painting reproduction

Odilon Redon Closed Eyes, 1890-99 oil painting reproduction
Odilon Redon Closed Eyes, 1890-99 oil painting reproduction

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Odilon Redon

(1840-1916)

Odilon Redon was a French painter and graphic artist, one of the outstanding figures of Symbolism. Redon had a retiring life, first in his native Bordeaux, then from 1870 in Paris, and until he was in his fifties he worked almost exclusively in black and white, in charcoal drawings and lithographs. In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Odilon Redon remained virtually unknown to the public until the publication of J.K. Huysmans's celebrated novel A Rebours in 1884; the book's hero, a disenchanted aristocrat who lives in a private world of perverse delights, collects Redon's drawings, and with his mention in this classic expression of decadence, Redon too became associated with the movement.
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