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Odilon Redon Two Vases with Flowers, 1905 oil painting reproduction
Odilon Redon Two Vases with Flowers, 1905 oil painting reproduction

Odilon Redon Two Women under a Red Tree, 1905-10 oil painting reproduction
Odilon Redon Two Women under a Red Tree, 1905-10 oil painting reproduction

Odilon Redon Two Young Girls among Flowers, 1912 oil painting reproduction
Odilon Redon Two Young Girls among Flowers, 1912 oil painting reproduction

Odilon Redon Underwater Vision, 1910 2 oil painting reproduction
Odilon Redon Underwater Vision, 1910 2 oil painting reproduction

Odilon Redon Underwater Vision, 1910 oil painting reproduction
Odilon Redon Underwater Vision, 1910 oil painting reproduction

Odilon Redon Vase of Flowers - Large Composition, 1913 oil painting reproduction
Odilon Redon Vase of Flowers - Large Composition, 1913 oil painting reproduction

Odilon Redon Vase of Flowers (Pink Background), 1906 oil painting reproduction
Odilon Redon Vase of Flowers (Pink Background), 1906 oil painting reproduction

Odilon Redon Vase of Flowers 01 oil painting reproduction
Odilon Redon Vase of Flowers 01 oil painting reproduction

Odilon Redon Vase of Flowers 04 oil painting reproduction
Odilon Redon Vase of Flowers 04 oil painting reproduction

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Odilon Redon

(1840-1916)

Odilon Redon was a French painter and graphic artist, one of the outstanding figures of Symbolism. Redon had a retiring life, first in his native Bordeaux, then from 1870 in Paris, and until he was in his fifties he worked almost exclusively in black and white, in charcoal drawings and lithographs. In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Odilon Redon remained virtually unknown to the public until the publication of J.K. Huysmans's celebrated novel A Rebours in 1884; the book's hero, a disenchanted aristocrat who lives in a private world of perverse delights, collects Redon's drawings, and with his mention in this classic expression of decadence, Redon too became associated with the movement.
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