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Odilon Redon Vision in the Clouds oil painting reproduction
Odilon Redon Vision in the Clouds oil painting reproduction

Odilon Redon White Pegasus oil painting reproduction
Odilon Redon White Pegasus oil painting reproduction

Odilon Redon White Vase with Flowers, 1914 oil painting reproduction
Odilon Redon White Vase with Flowers, 1914 oil painting reproduction

Odilon Redon Wild Flowers in a Long-Necked Vase, 1912 oil painting reproduction
Odilon Redon Wild Flowers in a Long-Necked Vase, 1912 oil painting reproduction

Odilon Redon Wild Flowers in a Long-Necked Vase, 1912-2 oil painting reproduction
Odilon Redon Wild Flowers in a Long-Necked Vase, 1912-2 oil painting reproduction

Odilon Redon Wild Flowers, 1902 oil painting reproduction
Odilon Redon Wild Flowers, 1902 oil painting reproduction

Odilon Redon Woman among the Flowers, 1909-10 oil painting reproduction
Odilon Redon Woman among the Flowers, 1909-10 oil painting reproduction

Odilon Redon Woman and Child against a Stained Glass Background oil painting reproduction
Odilon Redon Woman and Child against a Stained Glass Background oil painting reproduction

Odilon Redon Woman and Stone Pot Full of Flowers oil painting reproduction
Odilon Redon Woman and Stone Pot Full of Flowers oil painting reproduction

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Odilon Redon

(1840-1916)

Odilon Redon was a French painter and graphic artist, one of the outstanding figures of Symbolism. Redon had a retiring life, first in his native Bordeaux, then from 1870 in Paris, and until he was in his fifties he worked almost exclusively in black and white, in charcoal drawings and lithographs. In these he developed a highly distinctive repertoire of weird subjects (strange amoeboid creatures, insects, and plants with human heads and so on), influenced by the writings of Edgar Allen Poe. Odilon Redon remained virtually unknown to the public until the publication of J.K. Huysmans's celebrated novel A Rebours in 1884; the book's hero, a disenchanted aristocrat who lives in a private world of perverse delights, collects Redon's drawings, and with his mention in this classic expression of decadence, Redon too became associated with the movement.
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