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Berthe Morisot Thatched cottage in Normandy oil painting reproduction
Berthe Morisot Thatched cottage in Normandy oil painting reproduction

Berthe Morisot La Soeur de l'Artiste a la fenetre oil painting reproduction
Berthe Morisot La Soeur de l'Artiste a la fenetre oil painting reproduction

Berthe Morisot La Mere et la Soeur de l'Artiste oil painting reproduction
Berthe Morisot La Mere et la Soeur de l'Artiste oil painting reproduction

Berthe Morisot Le Berceau oil painting reproduction
Berthe Morisot Le Berceau oil painting reproduction

Berthe Morisot Interior oil painting reproduction
Berthe Morisot Interior oil painting reproduction

Berthe Morisot Woman and child on a balcony oil painting reproduction
Berthe Morisot Woman and child on a balcony oil painting reproduction

Berthe Morisot Hide-and-seek oil painting reproduction
Berthe Morisot Hide-and-seek oil painting reproduction

Berthe Morisot Hunting for the butterflies oil painting reproduction
Berthe Morisot Hunting for the butterflies oil painting reproduction

Berthe Morisot In a villa at the edge of the sea oil painting reproduction
Berthe Morisot In a villa at the edge of the sea oil painting reproduction

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Berthe Morisot

(1840-1895)

American Impressionist portrait artist Berthe Morisot was born into a wealthy family and when she was growing up her parents encouraged her to take art lessons but didn’t want Morisot to be a professional artist. In 1864, she exhibited in the prestigious Salon de Paris, the annual exhibition of the Académie des Beaux-Arts in Paris. In 1877, Manet invited Morisot to exhibit in the first Salon des Refusés so she was part of the first exhibition where the group called themselves 'impressionists'. She participated in all of the Impressionist exhibitions except for the one in 1879 because of illness. Berthe Morisot’s paintings were often of people at home or outdoors. She was known for painting in loose, quick brush strokes. You can really see all the brushstrokes in her paintings as she didn’t make the surface smooth or flat. However, in the last years of her the rapid brushstrokes which had defined her practice for years became clearer, and her images came back into focus.
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